Sunday, January 26, 2014

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If you are standing in the street alongside the various houses, each with different window types, ie aknarassid such juugendmaja juugenstiilis windows, there's a house next to the modernist plain rectangular windows, there's next to the baroque baroque windows, you do not have anything against anyone.
According to the prevailing set of rules, however, the story is this: if aknarasse mix, then they violate the window-apartheid. Aknarasside apartheid must end. For continuous multiplication of identical windows side by side and aligned as rastersüsteemis the concentration electric camps feature. The new satellite towns, buildings and new administrative buildings, banks, hospitals and schools are adjustable leveling unbearable.
Individual, the individual, is always peculiar man protects himself electric that equate to want the dictatorship of the passive and active according to its Constitution: alcohol and drug addiction, the town escapes, crop disease, telerisõltuvusega, unexplained body ailments, allergies, depression with suicide off, or even aggression, vandalism and crime.
Persons living in a rented home should have the opportunity to bow out of the window, and - as far as reaching hands - to scrape off the masonry. And he must be allowed a long brush - as far as he s able to lean out - all full of paint on the outside, so that from far away, are seen on the street: there lives a man who your neighbors apartment enslaved the people rule, is different.
PS Viennese artist and architect Friedensreich Hundertwasser (1928-2000, in fact, Friedrich Stowasser), who called himself sometimes also called Friedensreich Hundertwasser Regentag Dunkelbunt, leaves behind a colorful creative, eclectic by nature of which, however, is an ideological grounds. Straight-line against an intolerant electric Hundertwasser architecture associated with proximity to natural and peaceful, and a distaste for any kind of totalitarianism (which include the Soviet variant) - and is therefore inherently a deeply human-centered. Hundertwasser was antitotalitarismil personal background: he was a Jew by the mother, but she managed to escape from a concentration camp. Hundertwasser's work can be blamed for any of decorativeness, of course. But his answer is disarm: "Without kitšita life is poorer for it." electric
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